Notes from Dr. Borkosky

Haley and his band were important in launching the music known as "Rock and Roll" to a wider, mostly white audience after a period of it being considered an underground genre. The cowboy hats and other country paraphernalia were junked as well. Indeed, the band itself remained strangely anonymous; Miller had seen to it that there were no publicity photos of Bill Haley & the Saddlemen, a calculated effort to obscure their race, though the band's name and the country ballad B-sides to those early singles pretty much told who they really were. Since Bill Haley’s death in 1981 there have been several books written about him, including one co-authored by his first son John “Jack” W. Haley and John von Hoelle, titled, Sound and Glory, published in 1990. True, there are perhaps 45 songs on those 12 CDs of material that Haley should not have bothered recording, but there are hundreds more in those same collections, some of it dazzling and all of it constituting a serious body of solid, often inspired rock & roll, interspersed here and there with some good country sides. The next few years, continuing this story in a fairy-tale manner, were hard and poverty-stricken, but crammed full of useful experience. The central event in Haley's career was the single "Rock Around the Clock" topping the charts for eight weeks in the spring and summer of 1955, an event that most music historians identify as the dawn of the rock & roll era. In the 1980s and early 1990s, numerous media reports emerged that plans were underway to do a biopic based upon Haley's life, with Beau Bridges, Jeff Bridges and John Ritter all at one point being mentioned as actors in line to play Haley (according to Goldmine Magazine, Ritter attempted to buy the film rights to Sound and Glory). Bill Haley has also been portrayed – not always in a positive light – in several "period" films: Before the formation of Bill Haley and the Saddlemen, which later became the Comets, Haley released several singles with other groups. In March 2007, the Original Comets pre-opened the Bill Haley Museum in Munich, Germany.

In the process, they also changed their image and name.

The surname Haley was first found in County Sligo (Irish: Sligeach), in the province of Connacht in Northwestern Ireland, where they held a family seat from ancient times. His brand of rock & roll, made up of R&B crossed with country boogie and honky tonk, was passé, and a switch to instrumentals didn't solve the problem of falling sales.

[14], Bill Haley Jr., Haley's second son and first with Joan Barbara "Cuppy" Haley-Hahn, publishes a regional business magazine. Martha said, "This is pointless." By the late '60s, with the advent of the rock & roll revival, Haley suddenly found himself faced for the first time in a decade with major demand for his work in America. [21], As Bill Haley and the Four Aces of Western Swing. The October 25, 1980 edition of the German paper Bild reported that Haley had a brain tumor. ", "Vive la Rock and Roll", "So Right Toight", "Ana Maria", "Yucatan Twist", "Football Rock and Roll", and "Chick Safari". Haley historian Chris Gardner, as well as surviving members of the group, have confirmed that the two singles: "Out Where the West Winds Blow"/"Who's Gonna Kiss You When I'm Gone" (Vogue R736) and "Boogie Woogie Yodel"/"Baby I Found Out All About You" (Vogue R786) do not feature Haley. The movie was a huge hit, and in its wake Decca re-released the song that spring. Liner notes for a 2003 CD release by Hydra Records entitledBill Haley and Friends Vol. ; July 6, 1925 – February 9, 1981) was one of the first American, musicians. By 1959, Haley was no longer placing either singles or albums anywhere near the top of the charts. It was obvious that his drinking problem was getting worse. From the end of 1954 until the end of 1956, they would place nine singles into the Top 20, one of those at number one and three more in the Top Ten.

The Comets were one of the best rock & roll bands of their era, with a mostly sax-driven sound ornamented with heavy rhythm guitar from Haley, a slap-bass, and drumming with lots of rim-shots; they had the "blackest" sound of any white band working in 1953-1955. That was the record that broke the band nationally on Decca, reaching number seven and selling over a million copies between late 1954 and early 1955. Stein and Day. Howlin' Wolf was still based in Memphis and cutting sides for Sam Phillips, while a 15-year-old Elvis Presley was in tenth grade.

He will start with 3 questions per day. In the late spring of 1956, rock & roll changed again as Elvis Presley, who was younger, leaner, and a more fiercely sexual presence, emerged as a star; he not only made music that was as good as Haley's but he looked the role of a rock & roll star. Haley hadn't liked the idea of doing the song, but Miller wanted it, and the result -- though no one knew it at the time -- was the first white-band cover of what is now regarded by many scholars as the first real rock & roll song. A contract was signed, and on April 12, 1954, the band, with Danny Cedrone on lead guitar, did a two-song session in New York that yielded "Thirteen Women" -- a post-nuclear holocaust sex fantasy worthy of Hugh Hefner (who had only started up Playboy magazine a year earlier) -- and "Rock Around the Clock." The truth is, Bill Haley came along a lot earlier than most people realize and the histories usually acknowledge, and he went on making good music for years longer than is usually recognized. to be the most comprehensive (yet still incomplete) collection of Haley's 1946–1950 recordings as part of its Haley box set Rock n' Roll Arrives.

We keep very close to them, listening for their new expressions and asking what they want in the way of music. In the years since his death, the surviving members of The Comets, including pianist Johnny Grande guitarist Franny Beecher, saxman Joey D'Ambrosio, bassist Marshall Lytle, and drummer Dick Richards, all in their 70s and 80s, have continued to work together and were still able to perform to sell-out crowds in Europe during the 1990s and early 2000s, doing Haley's classic repertory. Eventually he got a job with a popular group known as the "Down Homers" while they were in Hartford, Connecticut. And to top off the good news, Haley not only had a full concert schedule in front of him in the U.S.A., but major record labels interested in recording him; he ended up signing with Buddha/Kama Sutra Records for a pair of live albums.

Success came at somewhat of a price as the new music confused and horrified most people over the age of 30, leading to Cold War-fueled suspicion that rock-and-roll was part of a communist plot to corrupt the minds of American teenagers. ", The sleeve notes continue: "When Bill Haley was fifteen [c.1940] he left home with his guitar and very little else and set out on the hard road to fame and fortune. The Comets were one of the best rock & roll bands of their era, with a mostly sax-driven sound ornamented with heavy rhythm guitar from Haley, a slap-bass, and drumming with lots of rim-shots; they had the "blackest" sound of any white band working in 1953-1955. Martha and friends related that Bill did not want to go on the road any more and that ticket sales for that planned tour of Germany in the fall of 1980 were slow. She answers, exuberantly, legs in the air, "It's rock & roll!". [10] He has a star on the Hollywood Walk of Fame. [16] He also has occasionally appeared with the "Original Comets" at the Bubba Mac Shack in Somers Point, New Jersey from 2004-2011,[17] and at the Twin Bar re-dedication ceremony in Gloucester City, New Jersey, in 2007. Apart from learning how to exist on one meal a day and other artistic exercises, he worked at an open-air park show, sang and yodelled with any band that would have him, and worked with a traveling medicine show. Bill Haley was born July 6, 1925 in Highland Park, Michigan as William John Clifton Haley. Read Full Biography. The next few years, continuing this story in a fairy-tale manner, were hard and poverty-stricken, but crammed full of useful experience. The truth is, Bill Haley came along a lot earlier than most people realize and the histories usually acknowledge, and he went on making good music for years longer than is usually recognized.

The family moved to Boothwyn, PA, during the mid-'30s, where Haley developed a strong love for country music and began playing guitar and singing; by 14, he had left school in the hope of pursuing a career in music. It was a pumping piece of sexually suggestive, rollicking R&B, and Haley and the Saddlemen simply put a broader, slightly loping country boogie sound onto it and boosted the rhythm section, while a lead guitar (probably played by Danny Cedrone) noodled some blues licks on the break. Contrary to the popular perception, he remained an active musician throughout the 1960s, recording for Warner Bros. and a brace of other U.S. labels, and he also found a lucrative performing and recording career in Mexico (where Haley, not Chubby Checker or Hank Ballard, started the "twist" craze). The family name Haley is also a variant spelling of the anglicized Irish Healy (surname). His first big break came in 1944, when he replaced Kenny Roberts -- who was being drafted -- in the Downhomers, with whom Haley made his first appearance on records. The single is commonly used as a convenient line of demarcation between the "rock era" and the music industry that preceded it; Billboard separated its statistical tabulations into 1890-1954 and 1955–present. [10], Bill Haley Jr. (Haley's second son and first with Joan Barbara "Cuppy" Haley-Hahn) publishes a regional business magazine in Southeastern Pennsylvania (Route 422 Business Advisor). 1982.

But Haley had released what amounted to a rock & roll single in 1951, when "Ike" wasn't even yet running to be president, the country was still mired in Korea, and John Kennedy not yet even a senator. It was enough, however, for Gabler to schedule another session in early June, where the band recorded "Shake, Rattle and Roll.". They released a concert DVD in 2004 on Hydra Records, played the Viper Room in West Hollywood in 2005, and performed at Dick Clark's American Bandstand Theater in Branson, Missouri, beginning in 2006–07. After performing for Queen Elizabeth II at a command performance in 1979, Haley made his final performances inSouth Africa in May and June 1980. Haley was posthumously inducted into the Rock and Roll Hall of Fame in 1987. After the record rose to number one, Haley was quickly given the title "Father of Rock and Roll" by the media, and by teenagers who had come to embrace the new style of music. To top it all off, "Rock Around the Clock" even charted anew in the Top 40 during 1974 when it turned up as the theme music for the hit television series Happy Days during its first season.

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