texture of baroque music
Bach. are not independent) or because their main purpose is to fill in the chords or harmony (i.e. Bach’s Mit unsrer Macht. After listening to your selection, please answer the questions below.
Once you have completed the reading on musical texture, choose one of the pieces listed below and listen to the piece on YouTube. I have added the shaded lines to show clearly where the different parts enter.
Music became homophonic, meaning it was based on one melody with harmonic support coming from a keyboard player. In the Rococo or Classical period that followed, the elaborate contrapuntal texture of Baroque music gave way to music of subtle dynamic differentiation, often based on simple folk materials (rhythms and melodies). Baroque composer strived to show the human impact on music which was portrayed directly by human voice when doing solo voice, baroques refused to adhere to the complex nature of polyphony which is found in the later period of renaissance, baroque developed deep application of harmony as the underlining foundation for the polyphonic (Academon, 2011, 1), this had great effect … they are not really melodies).
Most music for large instrumental groups such as bands or orchestras is contrapuntal at least some of the time. Musical description. Have a look/listen to this example of heterophony from J.S. Musical Forms and Styles of the Baroque Period. Venice became the center of musical activity during the Baroque period. This group of individuals is known as the Florentine Camerata. Polyphony is typical of music in the Renaissance period and in the Baroque period where a contrapuntal texture was very common. performing alone. The opening section of the “Overture” Of Handel’s “Messiah” (The second section of the overture is polyphonic), Which piece did you select? Much late Baroque music is contrapuntal, particularly the works of J.S. The definition of monophonic music is taken from the Greek (mono-phonic), literally meaning “one sound”. Aria: A character expresses feelings through a flowing melody. In most well-written homophony, the parts that are not melody may still have a lot of melodic interest. Most music for large instrumental groups such as bands or orchestras is contrapuntal at least some of the time. In the Baroque, we find the harmonic pull harder to define due to the complexities of polyphony. Have a listen to this example of Lady Gaga performing the National Anthem at the Superbowl: In this example a piano has been added to the solo vocal line so it is clearly not monophonic.
They wanted lines to be sung instead of simply being spoken. Whilst this is technically true, it is a very basic description and we need to try to be a bit more detailed in the language we use to describe texture in music. From this came the opera, which existed in Italy around 1600. It was preceded by the Renaissance and followed by the Classical period. It is extraordinary how much emotion Debussy creates with just a solo melody line: We rarely hear entirely monophonic songs in the published contemporary musical scene. Which of the three textures described above is represented by the piece you selected? Have a look at this example of a sports crowd singing the US National Anthem in unison at the Ryder Cup: The crowd are all singing in unison with no accompaniment and so it is a monophonic texture. I want to hear how you express this in your own words. For example, the texture of the music might be thick or thin, or it may have many or few layers. The composer Giovanni Gabrielli wrote music for St. Mark's, as did Monteverdi and Stravinsky. Monophonic music can also be called monophony. At the end of the reading assignment you’ll find links to three pieces you can listen to; see if you can identify the textures of the pieces based on your reading. 1”, The “March of the Toreadors” from Bizet’s Carmen, No. Any orchestral woodwind or brass instrument (flute, clarinet, trumpet, trombone, etc.) If others in the the crowd join in then this is still a monophonic texture – they are all singing the same tune in unison. Gabrielli experimented with choral and instrumental groups by positioning them on different sides of the basilica and making them perform alternately or in unison. Recitative: Imitating the pattern and rhythm of speech.
Of course, different countries in Western Europe had different styles and sub-genres within this. The relationships between tonal materials and large musical forms achieved their highest state in the… Read More; early symphonies In 1637, a public opera house was built here. Check to see if you correctly identified the textures of the three pieces listed in the reading assignment on musical texture. Here is a diagram showing all 4 of the textures we have looked at. It describes music where several parts or voices are combined together contrapuntally or in counterpoint. People often struggle to find the right words to describe musical texture and so you will often hear people describing the texture of a piece of music as being “thin” if there are not very many instruments playing and “thick” if there are lots of instruments playing. Many composers choose to use different textures within one piece of music/song. Here are definitions and examples of the three main textures you will encounter in our class. Think of a favorite pop or gospel tune that, near the end, has the soloist “ad libbing” while the back-up singers repeat the refrain. A single bagpipes or accordion player playing a melody with drones or chords. They may well be singing at different octaves (a little girl in the crowd is going to be singing at a much higher octave than an older man), but it is still a monophonic texture as they are singing in unison. In this form, whilst the accompanying parts do not follow the same rhythms as the lead melody line, their overall purpose is to provide an underlying harmony and accompaniment to the melody. One of the most common forms of polyphonic texture is the fugue. Basso continuo. It can also be found in some classical music, most notably in Baroque vocal music such as cantatas/oratorios. Read More. Keep in mind, though, that multiple voices does not necessarily mean multiple instruments; polyphonic music can be played on a single keyboard instrument or guitar. You can see from the diagram below that an accompaniment (green shading) has been added underneath the melody (blue line) to form a homophonic texture: In a strictly homophonic texture, the parts or voices move “in step” with one another rather than having contrasting rhythms.
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