Notes from Dr. Borkosky

But Carol, the last of the four, proves to be Diane’s match in determination. As wonderfully played by Becca Blackwell (a self-proclaimed “fluid-gendered” actor), Diane takes the audience into her confidence in her opening monologue. And that possible partly because we’re standing on the same side of this [lesbian] identity.”.

Egg Freezing For Individuals LGBTIQ Communities, Alana Valentine And Sydney Gay And Lesbian Mardi Gras Present 'Ladies Day', UK Education Secretary Confronts Russian Minister About LGBT Rights, Coming Out On High: Queer Love In The Name Of God. While the wind howls, she seduces them one by one, and the play accelerates into a bacchanalian frenzy, directed with verve by Leigh Silverman.

And it does, in the form of a monster storm such a la Hurricane Sandy. Have you been involved with the play since its inception? The four women Diane “slays” are (mostly) straight, suburban, and susceptible to Diane’s charms but together they represent the idea of community—neighbors who are both competitive with and supportive of each other but whose true natures are only revealed not in the context of shared coffee, wine or cans of Fresca, but when catastrophe strikes. In an all-female world, we run the gamut of human experience, just like men. In 1999, we purchased Lesbians on the Loose, a Sydney-based magazine, which was first published as an eight-page newsletter in 1989.

Challenging, brutal and hilarious, four women of various shapes and sizes sitting in the waiting room of a liposuction clinic explore their perceptions of body image. This incarnation of Dionysus is Diane, “a butch charm factory, with that combination of swagger and stillness particular to masculine-of-center women,” according to the script by playwright Madeleine George. In other words, a butch lesbian is a person, too.”, In this instance, George’s main question is quite literally: What is the fate of the planet and what are we doing about it? She was a category 3 hurricane with wind gusts to 104 mph. A playwright who was drawn to the theater by its ability to combine the fantastic with intellectual rigor—think Tony Kushner’s Angels in America, which she saw when she was 18—George is convinced that even in the digital age theater’s role is essential in tackling larger social issues.

The Bacchae serves as the inspiration for Madeleine George’s Hurricane Diane. Hurricane Diane turns out to be a serious satire on the intransigent contemporary mindset of individualism and consumerism – one that resists the “green way” and refuses to see the planet in peril. interview with hurricane, diane & the deductibles and ex-queensrŸche guitarist robert sarzo date: august 1, 2019 interviewer: tyson briden as i have stated previously in possibly a past interview, on the day when i am interviewing an artist that i respect and admire, my anxiety is usually at an all time high. The Most Massive Woman Wins Script This is optional. Challenging, brutal and hilarious, four women of various shapes and sizes sitting in the waiting room of a liposuction clinic explore their perceptions of body image. Madeleine George tells me that the play was partly inspired after she read The Botany of Desire by Michael Pollan in which she learned that in 1800s America, apple orchards were planted everywhere to make hard cider. Its explorations of gender and sexuality aside, it is very entertaining and satirizes everything from HGTV and its suburban aspirations to “real housewives” as well as tropes of Sapphic seduction. “For me, it’s a lifelong project to ask big questions in relation to female and nonbinary environments. George wondered what would happen if “Dionysus came back at this exact moment and if they did, what form would they take?”, Commissioned to write the play by Two River Theater, a New Jersey theatre company shortly after Hurricane Sandy, George wanted to combine two big interests—environmentalism and queer identity—in a “shameless comedy.”. “People crave encounter now more than ever,” she says. There’s Renee (Michelle Beck), the first woman of color to hold the position of editor in a shelter magazine. Spec. Challenging, brutal and hilarious, four women of various shapes and sizes sitting in the waiting room of a liposuction clinic explore their perceptions of body image. It’s been around for thousands of years now. Download the 2012 Virginia Interactive Hurricane Guide [4 mb .pdf] Hurricanes need not make landfall or move directly across Virginia to cause great damage. In 2010 we purchased Curve Magazine, North Americas best selling lesbian Magazine. And if you’re an LGBT playwright struggling to be heard and seen, consider finding others like yourself and making your own opportunities. Hurricane Diane—a new play and the first co-production of a two-play collaboration between New York Theatre Workshop and WP Theater—takes us to a well-appointed cul-de-sac in New Jersey where the god Dionysus is working as a landscape gardener with a preference for permaculture.

Diane has previously been “living off the grid with a bunch of lesbian separatists in consensus-based community” but now she’s determined to save the world before it’s too late. Posted on Mar 4, 2019 in Theater Reviews, Michelle Beck, Danielle Skraastad, Mia Barron and Kate Wetherhead. In her Ann-Taylor-style ensemble, she’s sensible, grounded, and knows what she wants in her garden – namely a wrought-iron bench (Diane doesn’t “do” benches). Which is why a play like Hurricane Diane is such a rare an important event in New York theater. Instead of “souring in the brine of bitterness,” says George, she spent her time “lifting up the work of my friends.”, She’s found a worthy collaborator in acclaimed director Leigh Silverman, too. It’s a delicious joy to work with someone who shares a shorthand: what’s sexy, what’s not sexy; what funny, what’s not funny. What makes this play such a wild ride is the ingenious way in which the play combines the themes of millennial materialism, climate change, gardening and Greek tragedy. “To give the play a queer narrative seemed like an obvious twist. The women reveal their experiences dealing with their weight issues through monologues, short scenes, and even schoolyard rhymes. An LGBTQ+ Comedy About Dating And Falling In Love During A Global Pandemic. Hurricane Diane, by Madeleine George, directed by Leigh Silverman, is a co-production between NYTW and WP Theater, currently at the New York Theatre Workshop on East 4th Street until March 24, Your email address will not be published. The eye of Hurricane Gloria in September 1985 passed 45 miles east of Cape Henry. Euripides liked to shine the light on the misdeeds of Gods. It never goes under.

“Leigh is a chameleon genius of a director, passionately devoted to writers. And find ways to keep your identity and what interest you front and center. There are no villains or bad guys in the play. George’s script states that “Diane may be played by any masculine person who does not identify as male.” And the night I saw the play this was not a concept that flummoxed the audience at all. Everybody had an uproariously good time. She is confident that theatre people these days are “conversant with a spectrum of identity” and will embrace Hurricane Diane (they have; the play’s run has been extended).

There is no one way to be this god. Euripides’ play shows the results of a God’s revenge on the ruling house of Cadmus when it refuses to believe and listen. “If I don’t get what I want, there is no future!” (In other words, Carol really wants that wrought iron bench, and is willing to weather the storm to get it.). And there’s Beth (Kate Wetherhead), whose husband has left her and who recently hurt herself while meditating. In George’s fantastical 21st century version of Euripides’s play, set in – of all places – New Jersey, the desperate housewives of Monmouth County are visited by Diane (Dionysus) disguised a so-called ecologically-driven landscaper, who has come to save them from impending environmental doom. She was also founding member of 13P (Thirteen Playwrights), a now-defunct group of (mostly female) mid-career playwrights who took matters into their own hands by producing, over a period of ten years, one play by each member playwright. “We see that in the way people are taking part in national and global demonstrations, in their desperate attempts to make contact with the natural world with things like ‘forest bathing.’ I have real confidence in theater as a deathless art form.

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